Cannibalizing what you're tying to sell as you're selling it. Are you sure that's a good idea?
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We're not getting a review for my #High slot this week-- instead, this spot is reserved for a music industry rant.
I remember several years back (2001-2003ish) when the record industry was complaining loudly about how their #1 record of the year had sold something like 1/10th the number of copies that a #1 record would have sold ten years before, and they blamed illegal downloading and pirating for their failing sales. The year's top 10 records, as far as sales were concerned, were largely greatest hits collections of pop star divas and collections of songs from the American Idol crowd-- this is what the big record labels were offering.
I remember several years back (2001-2003ish) when the record industry was complaining loudly about how their #1 record of the year had sold something like 1/10th the number of copies that a #1 record would have sold ten years before, and they blamed illegal downloading and pirating for their failing sales. The year's top 10 records, as far as sales were concerned, were largely greatest hits collections of pop star divas and collections of songs from the American Idol crowd-- this is what the big record labels were offering.
Somehow, nearly ten years later, they're still baffled by their failing sales. It hasn't dawned on these clowns that pirates aren't nearly as big a problem as their own personal failure to support, produce, and sell anything that isn't a greatest hits package or collection of cover songs people got to know on television. While the last fifteen years have been a boon to anyone who is willing to look for interesting music (they can find this music directly from the artists, in any genre, by way of independent blogs, internet radio, or even [gak] MySpace), they've been downright funereal for the big record labels, who keep shoveling the same drivel down the public's gullet and wonder why they aren't swallowing as quickly as they used to.
I'm only bringing this up now because, as I stated in post #1, I will not be reviewing anything from the cast of Glee, and I'm standing by that declaration. I'm only going off on my personal rant because Glee's cast is holding the #11 slot this week with Gwyneth Paltrow singing “Forget You,” which is, of course, the polite title of Cee Lo's “Fuck You,” currently at #9 on the charts. My pro-Cee Lo stance is no mystery on this blog, but I have to be equally as vocal about the fact that Cee Lo and Gwyneth Paltrow are now in direct competition on the Billboard top 20, and they're singing the same song. This is precisely the reason big music companies and radio stations are crumbling.
I say: good riddance.
When the companies shilling Music Product fail, music's not going to stop-- hell, music might experience a resurgence when product gets culled from the herd. We can all make and distribute music now, and without the moronic Big Business selling us 15-year-old girl pop... well, that could result in popular music becoming a meritocracy. Imagine that! Between independent labels and completely unsigned musicians publishing themselves online, internet and XM radio, and simple word of mouth, the whole world of pop music would look much like the current world of “underground” music. This probably wouldn't affect Cee Lo in the least, but may possibly devastate Gwyneth Paltrow's career as a soul singer.
One can only hope.
You're ignoring the fact that this is a perfect example of how Autotune is actually supposed to be used. She IS actually singing.
ReplyDeleteHowever... That's the ONLY positive point to this cookie-cutter, mass-produced pap.