I didn't know Jenna Maroney had a mother/daughter song for weddings. Must be a 30 Rock tie-in.
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Hey-- isn't this the drum beat from that little keyboard everyone had when we were kids? I keep looking for the button that will switch this song off and play a Hungarian Dance in a tone that has only the tiniest resemblance to a flute, saxophone, or clarinet. That'd be fitting, I guess, for a song that bears only a tiny resemblance to country music.
This is going to be a theme for the pop country stuff, isn't it? These things sound like they're coming through a wormhole, tapped into a radio station playing “adult contemporary” programming 25 years ago. I wonder if they still leave spaces for Aaron Neville's guest verse.
Some songs are grown in a lab, genetically engineered to serve a single purpose in a particular environment. In the way AC/DC's “Thunderstruck” exists solely for sporting events and Aerosmith's “Amazing” was designed for proms, “Mama's Song” was born to be played at weddings, where it will be serving time forever.
Since I don't have much personal stake in mother/daughter crying, and really can't be sold on weddings, babies, or Sandra Bullock, I have no starting point to begin engaging this song. To me, it sounds like a string of cheesy clichés, strung together over the blandest music imaginable, to earn it a spot in the widest variety of wedding receptions possible.
Maybe we can admire it from a marketing standpoint. (If you're into that kind of thing)
Stay with the song, walk away, or run like hell:
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