Tuesday, April 26, 2011

Christina Perri - Jar of Hearts

Fairly important: the formatting on this post goes to hell in most feeds, and it will be best read at ericonthecharts.blogspot.com

Christina Perri will survive (after moping around for a while)


Christina Perri
Jar of Hearts
Sad Bastard
#33 (HiMid)
Christina Perri
Drew Lawrence
Barrett Yeretsian
B.Yeretsian
C. Perri
Artist:
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Producer(s):

First, a quick wager that this song was originally titled “Who Do You Think You Are?” but someone decided that “Jar of Hearts” was more unique (and therefore more memorable.) What they seem to have overlooked is the inanity of the new title: pulled from the abysmal lyric “Who do you think you are, running round leaving scars, collecting your Jar of Hearts, and tearing love apart,” Jar of Hearts is the kind of phrase only turned by children who protest (too much) their individuality by dressing anachronistically and writing terrible poetry that includes phrases like "jar of hearts."

Far from the Taio Cruz total rhyme failure, “Jar of Hearts” lives in the poetic playground of cheap, easy rhymes (with a few cheating near-rhymes thrown in for good measure). It's a sunny place, this playground; in the center, there's a statue of Lenny Kravitz, and the revelers all want to fly so high in the sky like a butterfly. Most days, Christina Perri sadly dances here by herself, wishing she'd missed the first time you kissed, afraid you'll catch a cold from the ice inside your soul (and hoping you'll notice). Maybe she should bring him some hot soup (how over her Lothario can Perri be, anyway, if she's still concerned he'll catch cold?)

The whole affair seems awfully naive to me, anyway (see also: “Of Course I Don't Listen to the Radio. I'm Not a 15-Year-Old Girl.”) I can't balance all the time it's taken her to get the light back in her eyes after losing the love she loved most with the icy-souled guy running around collecting hearts for his heart jar and tearing love apart... Not to overload my cynic circuits, but this story makes more sense if it's using the Unreliable Narrator device, and Perri has blown a two day mini-relationship with a guy out of proportion to near psychotic levels (“But we kissed! Twice!”)
This song was done with more passion back when it was called “I Will Survive,” and Christina Perri doesn't offer a single thought that isn't borrowed from a vastly superior Gloria Gaynor... and Gaynor sounds like she lived with the guy. If I wanted to listen to someone de-disco Gaynor's anthem, I'd listen to Cake.

Musically, this song is a turgid mope through remedial piano and syrupy, Hallmark strings... and while I appreciate producers trusting a sad song to captivate an audience without a dance beat, but there has to be something here to do the captivating.  A set of lyrics Perri will be embarrassed by in a few years married to clunking piano won't get it done... and it can be done.  Take Nellie McKay, for example: there's a girl (younger than Perri at the time of the taping) at a piano venting some disappointment, frustration, and rage with some real cleverness in the words and some talent with the keys... and doing it live, without all the vocal overdubs and sappy production on Perri's track (Christina Perri can be heard live here, and, on an unrelated note, did I mention Nellie McKay can actually sing?  Dunno why that just popped into my head.)


Stay with the song, walk away, or run like hell:


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